The Washington Post and its magazine this weekend published three Editor’s Notes, one of which included an apology. As I pointed out in a recent column for Columbia Journalism Review online, the Post rarely makes apologies. Here’s the apology/Editor’s Note from magazine editor Tom Shroder:
In the Jan. 25 issue of the Magazine, we ran an essay in the XX Files headlined “Suspended Disbelief.” The author was writing about the dilemma she felt when a friend’s husband was sent to jail for molesting a young girl, despite his protestations of innocence. In the end, she discovered that even though she wanted to believe her friend’s husband, she couldn’t quite do it.
The column had factual errors, and editors in the Magazine, including me, failed to catch them. The author wrote that the man had been talked into accepting a plea agreement, and implied that there had been only one accuser. In fact, the man had turned down the plea offer, and had been tried and convicted. Also, more than one girl made accusations. The inescapable conclusion is that the man’s guilt was not as ambiguous as presented. No names were used, but the families of the victims only too readily recognized the circumstances and were understandably upset by the implication of the story. Today, I want to apologize for our errors and publish a letter from a victim’s grandmother …
The magazine also felt the need to publish an Editor’s Note to apologize in advance for a column, headline and illustration in this week’s issue:
The headline, illustration and text of “Below the Beltway,” a column in The Washington Post Magazine today, may cause offense to readers. The magazine was printed before a widely publicized incident last week in which a chimpanzee attacked and badly mauled a woman in Stamford, Conn. In addition, the image and text inadvertently may conjure racial stereotypes that The Post does not countenance. We regret the lapse.
The column, which is written by Pulitzer winner Gene Weingarten, is online here. This is the illustration:

The online version of the column doesn’t include the Note. Finally, the paper published this Editor’s Note:
A Feb. 19 Page One article disclosed an FBI investigation into the personal life of the late Jack Valenti, former White House aide to President Lyndon B. Johnson. The piece should have stated more expressly than it did that the investigation produced no evidence that Valenti was gay or had a sexual relationship with a photographer who was mentioned in FBI records but whose name was redacted from those files. The motivation for the investigation is not clear from the files provided by the FBI. In addition, The Post should have made clear that it contacted Valenti’s immediate family before the piece was published. After considering the matter, they requested that no statement from the family be included in the article. The Post should have indicated that the family knew of and was given an opportunity to address the facts presented in the article.
Thanks, G!
UPDATE Feb. 23: The Washington City Paper received a comment from Post executive editor Marcus Brauchli about the cartoon Editor’s Note:
The decision to run Editor’s Notes at major dailies doesn’t rest with the paper’s lower rungs. This is an executive editor’s prerogative, and Marcus Brauchli, who holds that title at the Post, says there are two reasons for the note.
No. 1: “[T]he magazine had gone to press before the incident in Connecticut. We wanted readers to understand that, so they wouldn’t think us callous in our choice of words and images.”
OK, unnecessary but understandable. But what about the racial part?
Here’s Brauchli on that: “[S]ome people in our newsroom thought the illustration and some language in the article was potentially problematic. We debated internally whether the illustration or the piece could be interpreted by anyone, even in a stretch, as racially insensitive. We concluded, regretfully, that such an interpretation might be made, and we wanted to let readers know that The Post neither intended nor tolerates the use of racial stereotypes.”
