Errors appeared in an interview with Matthew Slotover and Amanda Sharp, who own Frieze magazine and the events company that stages the Frieze art fair. In connection with part of the piece that quoted them talking about founding the contemporary art magazine, it has been pointed out to us that the masthead of the first edition of Frieze in 1991 listed the founding editors as the artist Tom Gidley and Matthew Slotover, and Amanda Sharp as advertising and PR. Elsewhere in our article, the 2005 figure of £2.5m should have been given as the art fair’s turnover – fees from visitors and exhibitors – not as its profit; the height of its tent walls should have been given as 12ft not 12m. Amanda Sharp’s surname sometimes appeared wrongly in the piece as Smart (All the fun of the fair, 3 October, page 34). Link
Editor
What I'm Reading
- J-Source.ca -- The Canadian Journalism Projectj-source.ca | February 4, 2010
- Fewer copy editors after staff cuts means more grammar errors - Issues & Ideas - MiamiHerald.comThe Miami Herald | January 31, 2010Yet another ombud notes that fewer copy editors = more errors.
- PROW 135: Proofreading and Copyediting: Lecture 4: Fundamentals of AccuracyPROW 135 blog | January 26, 2010
- Andrew Alexander - Why you're seeing more copy-editing errors in The Post - washingtonpost.comThe Washington Post | January 17, 2010
- Now The Details: "Cyberombudsmen" and the Evolution of Media AccountabilityNow the Details | January 17, 2010
- Innovation is required if newspapers are going to revamp copy editingMcGuire on Media | January 20, 2010Glad that my recent CJR inspired such a great post. This is required reading.
- 'Devotion to Accuracy' means owning up to mistakes | Feder | blogs.vocalo.orgblogs.vocalo.org | January 20, 2010
- The fundamental unreliability of America's mediaSalon.com | January 12, 2010
- My Greatest Mistake: Learn From Six Luminaries | MagazineWired.com | December 21, 2009
- The noughties: an age of fleeting plausibility Prospect MagazineProspect Magazine | December 16, 2009"This has been a decade in which we allowed ourselves to believe the most unlikely stories. Why?"
- J-Source.ca -- The Canadian Journalism Project
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